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Live Virtual events

The pandemic made us all rethink how we work, or learn. Many of us found that we can still achieve by doing things differently. Authors and illustrators who relied on school and library visits had to adjust too, just like the places which relied on them visiting and performing in person.

In the end, we learned what we like, or don’t like about being more in charge of our days. We have also come to realise that this change to hybrid working might be long-lasting. Working on camera is now normal, for instance, so much so that If you hated it in the beginning, you may not even think about it now.

I’ve been in several live virtual events in the last two years, broadcasting to more people than ever before from my living room and it has been good to have the extra reach. However, not being in the same space as readers isn’t great. This must be the same for many others.

I will add links to some of the events on this page.

The Centre of Literature in Primary Education (CLPE) runs several programmes for teachers and publishing professionals. The Power of Pictures is a project designed to help teachers choose and use picture books across the primary school, understand the process that goes into developing a picture book and develop meaningful relationships between authors and schools. It was originally devised by CLPE’s Charlotte Hacking and author/illustrator and CLPE Patron, Ed Vere in 2013. 

Old is new again

The letterpress studio

I came across Officina do Cego, run by a group of crafts and art people in Lisbon, thanks to Kristine Martinova. She introduced us to the president of the Association, Nuno Ramos, who explained how they teach and make work using screen and letterpress printing. They make their own books, so also teach bookbinding.

Walking into the place I found machines that fondly reminded me of my early days in graphic design. I started young, around 15 years old, working during school holidays in the Maviyane Project.

These were the days before computers in the office and we did all the artwork by hand. I mean, totally by hand. We traced letters to make layouts and stuck things down with hot wax. We calculated the size of type that would work for a book using a formula and then sent that to the typesetters who sent us back rolls of text on photographic paper. If it wasn’t right the whole process had to be done again, causing delays, among other things. Attention to detail meant a lot more than it does now- it could end a project, or worse still a job.

We carried all of that experience to the computer age, thankfully.

It was a wonderful trip down memory lane.  I might take one of their courses next time. 

Astro Girl in San Francisco

There were many children online for the live reading, which was followed by a discussion about the book Astro Girl. Many more will watch the recording of the event on the San Francisco Public Library YouTube page. All in all, it’s been a good few months for the book. It was also featured in the South African Festival of Children’s Literature and the insights section of Communication Arts Magazine.

If it were any other time, I would still be recovering from jet lag, but the pandemic meant harnessing the power of the internet.

Here’s a link to the recording on San Francisco Public Library’s YouTube channel:

Stars With Flaming Tails

I had the pleasure of working with poet and author Valerie Bloom on an anthology of poems for children called Stars With Flaming Tails. It was the first time I have illustrated poetry, and hopefully not the last.

A while back during a literary event we had talked about possibly working together, but either of us knew how exactly that might happen… the catalyst turned out to be our common publisher, Janetta Otter-Barry.

I worked in black and white digital paint, another first, and together with the team – Valerie Bloom, Ariana Osti (designer) and Janetta Otter-Barry (publisher and editor)- we’ve created a very powerful, meaningful book.

But don’t take my word for it, the reviews from Achuka and the blog of the live event hosted by the University of Manchester give a really good idea of what to expect if you get a chance to read any of the poems or buy the book.

Illustrating digitally meant that I could use the time-lapse feature to great effect during the live event. This was a great alternative to trying to do a live drawing in front of a camera!


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Scoop Magazine

Early in 2020, Scoop Magazine asked if was interested in illustrating some stories in a comic strip style. I have secretly wanted to do something like this for quite some time so jumped at the chance. Furthermore, the strips were to be activist or historical, which is a space that I follow regularly. In fact, many of my books are inspired by some sort of activism.

A couple of stories has become one per issue. Almost every assignment is different from book illustration in the best possible way, of course.  Each story is slightly better than the last, I feel. I sketch them in pencil and finish digitally.

I am looking forward to finding a digital style. That medium requires a slightly different way of thinking to paint and canvas. I chose to use a tablet, which meant taking a chance and buying one. So it’s more expensive than working traditionally and more time-consuming learning how to make the digital tools do what you want.

The overall effect is that it feels like being a fresh new illustrator who is risking a lot to make this work. When there is a lot at stake it can be easier to focus and stay focused, which is a good thing. Still caught up in the excitement of each project I can see a bigger picture… a graphic novel one day, perhaps, or some other grand project involving telling a story frame by frame.

The work hasn’t gone unnoticed. One of the assignments was to tell the story of John Blanke, an African in King Henry’s court. It has led to a commission for the John Blanke Project. So on some level, the results are exactly as hoped. And it seems like Scoop readers are enjoying the stories too. Working with a team of people that have the same goal is always a pleasure ad they have been patiently supporting and fine-
tuning each story. Long may it continue